I got a very nice e-mail from an independent artist this weekend who is deluded. She thinks I’m some kind of expert on this whole artist thing. Upfront, I’m not. Not at all. But I’ll try to help anyway.
She wants pointers on how to do what she does better. So, a blog post offering some tips about the performance aspects of being an artist. Here are some Dos and Don’ts. Feel free to add your own in the comments.
1. Don’t ever introduce a song with “This song is called…” or “This song is about…” It’s my opinion that this is incredibly boring and adds nothing to the experience of hearing the song. Also, when the audience hears the song, if you’ve written a standard pop/folk/rock/country song (and that’s what you and I do right?) they’ll figure out both what it’s called and what it’s about soon enough.
2. Do feel free to say nothing. Most singers aren’t good talkers. They don’t realize this because no one will tell them, but I’m your buddy. I will. You’re probably not as good a talker as you are a singer. So, please, sing more and talk less. If you have to talk, then say something that adds to the experience of hearing the music or being with you and everyone else in the room. “This song is called..” accomplishes neither. Tell a story, a joke, pray, confess, interact, whatever, but please, for the love of all things entertaining, make your words experience enhancing.
3. Don’t stand still. Standing still makes you appear to lack confidence, like you’re hiding against the wall nursing bad punch at prom.
4. Do move. Margaret Becker taught me this. She noticed that even during the measures without words I stood still at the microphone as if I was tied to it. She told me I was free to take a step back for those four beats and bob my head or jump or whatever I felt like doing. It was magic. Suddenly performing was fun and I was a lot more confident and natural looking.
5. Don’t use a music stand. You’re not in band. Again, this makes you look unconfident…and not prepared.
6. Do memorize your music or use an inconspicuous cheat sheet. If a song is new, it’s entertaining (oddly) to pull out a sheet of paper and let the crowd know you’re trying out a new song on them. No problem. Otherwise, memorize. You don’t need the words anyway. It’s a crutch. (You hear me, worship leader guys?) If you CAN’T sing without the words (you’re lying) then write the first word of every line on a piece paper and tape it to the monitor or floor out of sight. And don’t stare at it. Steal a glance now and then but work toward going paperless. You’ll feel and perform better.
7. Don’t close your eyes…too much. It’s natural for some of us to close our eyes when we sing about or to God – not sure why. It just happens and it’s not a bad thing. But it can disconnect the audience. Should you ever close your eyes? Sure. But don’t spend the entire night behind your eyelids. You’re robbing yourself and the crowd of connection.
8. Do make eye contact. Make eye contact with every single person in the room, even if it’s thousands. You’re in a conversation with the entire room, so look all of them in the eyes. You’ll feel more connected to them and they’ll feel more connected to you and what you’re singing.
9. Don’t talk like you work for a record label. Don’t say, for instance, that the next song was your “first single” or that it was recorded for the “EMI label group”. This isn’t interesting or helpful – doesn’t add anything to the experience for the person in the seats. And it can sound pretentious.
10. Don’t let the crowd size affect your mood.
11. Do what you do for the reasons you do it, no matter who or how many show up to hear you. The smallest crowd I ever played for was in Waco, Texas. Actually, BOTH of the smallest crowds I’ve ever played for were in Waco, Texas. For one of them I moved the “show” to a couch backstage where I sat and took requests and just hung out with people. It was a great night. I was still myself, doing what I do for the reasons I do it, just on a smaller scale. For the second tiny Waco show my attitude sucked. I was in a huge beautiful theatre. I was embarrassed in front of people I knew and wanted to impress. My reasons for doing my job changed that night and I went home angry at myself for performing badly and letting my attitude wither like it did. I wasted an opportunity to have fun and do my job well. Hopefully you have better reasons for making music than impressing as many people as you can. Hang onto those reasons no matter who or how many show up to hear you.
dub says:
This should be required reading for every current and potential performing musician.
Veretax says:
I so agree with the memorization part. I sang solo in our church a few weeks back, and at the last minute i subbed a song that I knew well enough that only a stolen glance now and then was necessary. The other I didn’t feel confident cause I didn’t have the words down. Definitely good advice even for those who aren’t wanting to do this for a living
Suzanne says:
You couldn’t have posted this at a better time. (Read my post from today) I will be singing and playing this Friday and unfortunately many of the things you said “not to do” I do! Yikes! I’m a total amateur, but God has led me down this road and I said “Okay!”
Thanks for posting this, I really appreciate it!
shaunfan says:
Shaun, you are the best at all of those items you listed. I get to see about a dozen concerts a year and I’m always most excited to see (and be seen by) you. Last time I saw you in September at PBU you were amazing at engaging with the audience, making eye contact and my favorite part was when you sang “Two Cents” and told the story about the song, which I had never heard before. I can’t wait to see you again!
Take care,
Kevin
Jason_73 says:
Don’t volunteer information most people wouldn’t notice anyway like:
– Your voice is off because your sick
– You messed up a part of a song, forgot a word.
Paul Mitchell says:
I am the WORST at #7. Everyone in the audience could quietly leave while I’m singing, and I probably wouldn’t notice for a song or two.
Steven Rossi says:
Great list. Those are definitely good tips. I gave this post a Stumble.
erin says:
I’m a big fan of #2 and #7 especially, but these are all great tips. I agree that they should be required reading.
In Him says:
Hi,
Absolutely required reading!
One thing we’d like to add: This is when you’re not on-stage, but it’s still so important. If at all possible, make your audience know you care. Stop to talk and even pray with people. Shake their hand and sincerely thank them for coming out to see you. Stay in contact with them if they want, but do it for more than promotional reasons.
Can’t wait to hear everyone else’s thoughts.
Love in Christ,
Andy and Miranda – In Him
Stretch Mark Mama says:
That’s a great list.
You know who IS a good speaker as well as a singer? Michael Card. Granted, that shows my age that I even know who he is AND have seen him in concert more than once…
In Him says:
Hi again,
One of the things we’ve done when we had smaller audience sizes is to have a Q&A. It really helped the audience to get to know us, and it made them very comfortable when interacting with us after the event. Many discussions branched from that on-stage Q&A.
We’d appreciate any other creative ideas on how to make the most of a smaller audience size and still make it special.
Love in Christ,
Andy and Miranda – In Him
Jeff Honnold says:
Shaun, great stuff – I want to second the comment about connecting with people when your not on stage. I know as a worship leader who led a worship service that was sandwiched between two others that there were many times where things were over and we went into the “tear down dash” – completely ignoring all those that we were supposedly leading!! You can’t spread the love of Christ with people by turning your back to them!
deirdre says:
read “there’s no such thing as public speaking” by Jeannette Henderson. it will absolutely change how you stand up in front of a crowd.
it will also change how you listen to and watch our modern brand of politician, but thats just a side benefit.
The Secret Life of Kat says:
Shaun,
Great list. One correction:
I was at that second Waco show. If that was a bad performance, more artists need to perform as “badly” as you did.
The things you said at the concert inspired a wonderful and much needed conversation with a friend. She later said that was turning point for her.
Be encouraged, friend.
Shaun Groves says:
Thanks, Kat. That’s one regret off my list. I’ll send you the entire list just in case you can knock some more off ; )
Seriously, thank you. Very much.
Stretch Mark Mama says:
You know who’s another exception to the rule? Fernando Ortega. He tells great stories, which makes sense, as so many of his songs are all about stories.
(Man, does he even perform anymore?)
I once taped (SORRY, I’M OLD) a Fernando concert off of the Moody station (back in my Chicago days) and listened to that cassette hundreds of times. Hubs and I still quote many of his phrases from that tape.
And I guess that’s all I had to say.
Mela Kamin says:
great tips – working on these myself … the closing the eyes thing is a big one for me, as well as moving – I always think I’m going to look stupid, so I stand still and look like a statue trying to move people through the song … If I’m not literally moved, why would they be?
Craig Allen says:
I have been a musician most of my life, so I started writing songs and playing in bands as a teenager. Now, as a soloist working on my music as a hobby, I came to the conclusion that I don’t really enjoy performing. I like writing, playing, and recording, but I get nothing out of being on stage in front of a crowd (I don’t get nervous, but I don’t exactly have a “crowd-pleasing” personality). So, at least for now I’ve decided to stop playing shows and just concentrate on writing & recording good music.
I guess I’m just curious how you would pursue your musical interests if you had no desire to perform? Maybe I’ll get there, some day.
Really enjoy your blog and Tweets!
Jessica says:
Funny (in that God kind of way) that I ran across this blog right at the crux of my effort to start displaying my inadequate singing and guitar playing abilities publicly.
The moving around thing: I’ve noticed that I’m a swayer. Is that weird? I feel dumb. But I can’t stop.
The not introducing songs thing: Dang. I’m a good babbler.
The eyes closing thing: Double Dang, that was my back up plan.
🙂
This was helpful. Thanks.
JessicaB says:
Shout out times three.
http://bohemianbowmans.blogspot.com/2010/10/guys-i-am-so-so-nervous-to-post-this.html
🙂